VOTD: The Cinematography Of The Films Of Quentin Tarantino

If you’re an observant love of cinema, aside from likely knowing each and every film directed byQuentin Tarantino, you know that it’s fairly easily to recognize his work. This isn’t just because of the extensive dialogue and endless homages to classic, obscure films, but simply by the way he shoots his movies. From dancing scenes to trunk shots to sprawling overhead God’s eye sequences, Tarantino has a very distinct style.

Now a new supercut takes a tributary look at thecinemtographyof all of Tarantino’s films, fromReservoir Dogsto his most recentDjango Unchained. This slick video highlighting some of the best Quentin Tarantino cinematography will make you want to have a Tarantino marathon very soon.

Here’sThe Cinematography of Quentin TarantinofromOllie Paxton(viaThe Playlist):

Please note that Tarantino is not the cinematographer in his films, with the exception ofDeath Proofbeing the one that he lensed himself. So much credits should be given to the masterful work ofAndrzej SekulaforReservoir DogsandPulp Fiction,Guillermo NavarroforJackie Brown, andRobert RichardsonforKill Bill: Vol. 1,Kill Bill: Vol. 2,Inglourious Basterds, andDjango Unchained.

Having just recently revisited both parts ofKill Bill, I had forgotten just how fantastic each and every shot of that movie is. Tarantino’s camera is so purposefully guided, seamlessly weaving from one sequence into the next. It’s no wonder he’s as respected and revered as he is as a filmmaker. Tarantino may not make films that everybody enjoys, but it’s hard to deny that this guy doesn’t know what he’s doing, both as a screenwriter and a director. We’re just thankful that he also surrounds himself with equally talented people to make sure his vision is presented in the most mesmerizing way possible.

Don’t forget that you can get a taste of what Tarantino has in store, in glorious 70mm, with therecently released trailer for his eighth film,The Hateful Eight, coming to theaters this Christmas.

What’s your favorite shot from a Quentin Tarantino movie?