‘The Departed’ Screenwriter William Monahan To Adapt ‘Oblivion’ For ‘Tron: Legacy’ Director Joseph Kosinski

Deadlineis reporting that Disney has hiredWilliam Monahan, the Oscar-winning screenwriter ofThe Departed, to adapt the graphic novelOblivionforTron: LegacydirectorJoseph Kosinski. In addition to The Departed, Monahan has writer credits onKingdom of Heaven, Body of Lies, Edge of Darknessand the upcomingLondon Boulevard, which he will make his directorial debut. The “illustrated novel” announced back in February was written by Kosinski with art byAndree Wallin. At Comic-Con, Radical Comics distributed a preview chapter from the upcoming graphic novel. you’re able to see some art from the book after the jump.Previously:

For those of you who don’t yet know Kosinski’s work, check outsome of his commercials, andthe VFX concept footage that he directed to convince Disney to greenlight Tron 2— all of which is very impressive. Kosinski has since signed on todirect a remake ofThe Black Holefor Disney, is first in line fora thirdTronfilm (which is currently being written), and most recently signed on to directa “Bourne”-styled sci-fi thriller titledArchangelsfor producerRidley Scott.

Joseph Kosinski’s Oblivion

Kosinski has been developing the idea for the last five years, which he had initially hoped to make his directorial debut with the story beforeTroncame along. He had conceived the idea as a “very spare science fiction film with a small cast but big ideas and big landscapes” that could be made on a medium budget.

Described as a “big sci-fi epic” set in a “post-apocalyptic Earth,” where “civilization lives above the clouds and scavengers illegally collect artifacts from the polluted and destroyed surface below.” The story follows one young scavenger, a soldier who’s been court-martialed and sent to patrol this planet and maintain “a fleet of droids and probes that comb the surface, searching out this primitive alien race that’s been defeated.” One day, he “discovers a crashed spacecraft planetside- and a beautiful women within,” “who left on a science mission 60 years earlier. When she wakes up, she knows who he is, which doesn’t make any sense to him and together they have to unravel this mystery. It’s in the same realm as “12 Monkeys.”

Joseph Kosinski’s Oblivion

Here is a lengthier plot synopsis which originally appeared on Amazon:

“Earth, 2015. The Odyssey travels to Mars to assemble and occupy the Red Planet’s first base station. En route, the sudden appearance of a vast White Cube in space interrupts the ship’s voyage – and the crew of the Odyssey is never heard from again. 30 years later, Earth has become an almost unrecognizable, surreal wilderness with the remains of human cities poking through vast black sand dunes and bizarre geological formations. The White Cube, from a long-dead extraterrestrial race, was to find potentially inhabitable worlds and reshape them into suitable environments for the aliens, who now will never come. It now sits high in the planet’s orbit, dominating the sky, attempting to undo the damage it has caused as well as repopulate the Earth with clones of the comatose Odyssey crew. The only clones on the surface remain those stationed in the looming Watchtowers, scattered around the planet. One such Watchtower crewmember, a clone named Jak, witnesses a burning object fall to Earth. It’s an escape pod carrying Julia Kanan, the one lone survivor of the Odyssey before its capture by the Cube, and a love from Jak’s pre-clone past. But as the authorities close in to retake Julia, Jak’s genetic memory of his love for her drives him to decisions he never would have thought possible-and which could lead to disaster for both of them.”

Article image

Radical Publishing says the lengthier plot description (above) is out of date, and has provided us with a much smaller updated synopsis:

From Tron Legacy director Joseph Kosinski and critically acclaimed creator Arvid Nelson (Rex Mundi) comes an original sci-fi adventure of epic proportions. In a future where the Earth’s surface has been irradiated beyond recognition, the remnants of humanity live above the clouds, safe from the brutal alien Scavengers that stalk the ruins. But when surface drone repairman Jak discovers a mysterious woman in a crash-landed pod, it sets off an unstoppable chain of events that will force him to question everything he knows.

Article image

Kosinski toldComic Book Resourcesthat “It’s a love story that explores various themes ranging from identity to redemption.”

“It’s a sci-fi adventure that spans two different worlds and two different times. It’s epic in terms of its scale and scope, but it’s a character driven story with a small cast.” … “I first came up with the concept when I moved from New York to Los Angeles. I was inspired by old sci-fi models like The Twilight Zone” to find an emotional, dramatic story that would raise interesting questions and play with perspective. I wanted to build the story around those few characters, but at the same time ask the bigger universal questions that are integral to science fiction, questions about our existence, our purpose in the big scheme of things. …  The main character, Jak, is an ex-soldier who works as a drone repairman on this barren planet. He fixes the drones that patrol the surface looking to destroy what’s left of the Scavengers, a savage alien race. Jak has a partner, Vika, who’s a by the book kind of career officer and she works as his “eye-in-the-sky,” scanning for damaged drones and monitoring Scavenger activity. One day, Jak comes across a spacecraft that’s crashed, and inside he finds this mysterious woman in “deltasleep.” He rescues her from the Scavengers and takes her back to their Skytower, which is high above the clouds. When the woman wakes up, her story turns their lives upside down and sends each of them on an adventure of self-discovery.

Article image

Sounds like a pretty awesome concept. The book sounds equally as cool — 125-130-page 11x14-sized hardcover featuring painted art, some of which will span 2 pages (ala 300?). Right now Kosinski has a 25-page treatment, which will be fleshed out by one or two writers for the graphic novel, which is due out in 2010. A screenwriter will then be brought on board to help adapt it for the screen.

Ain’t It Cool Newshasthe entire first chapter online. Here are a few excerpted images: