New On Blu-Ray And Digital: ‘Little Women’, ‘Just Mercy’, ‘Me And You And Everyone We Know’, ‘Underwater’, ‘VFW
The coronavirus pandemic is not only effecting movie theaters, it’s also causing some trouble in the home video world, too. As a result, some physical release copies are being delayed while studios push digital. As always, I remain committed to physical media, but for now, I’m going to have to make an exception for some digital releases as well. That’s just how it goes, folks. Case in point: I was unable to get a physical copy ofUnderwaterin time for this column, but I was provided with a digital release. So onto the list it goes. I’m also changing things up a bit. In the past, I was explainingwhya film on the list was worth owning. But the fact of the matter is…not every film is worth owning. So instead, I’ll be advising you on whether the film in question is worth buying – or just renting. And now, these are the new Blu-ray releases (and digital releases, too) you should check out this week.
Little Women
Oh, what an utter delight this movie is. I’ll confess I’m the one person in the entire world whodidn’tlikeGreta Gerwig’sLady Bird, so I was a tad apprehensive going intoLittle Women– even though I love Gerwig’s scripts forFrances HaandMistress America. My apprehension evaporated almost instantly. WithLittle Women, Gerwig has crafted a vibrant, charming, funny, and heartbreaking saga of a family. I laughed, I wept, I wept some more, I wept even more. Okay, I cried a lot. Gerwig blends past and “present” beautifully, cutting back and forth in time to show the trials and tribulations of the March family. And while Jo (Saoirse Ronan) gets the most screentime, and Ronan is as great as she usually is, the real standout isFlorence Pugh, who turns the often disliked Amy into a surprisingly sympathetic character. I missed this in theaters last year, but had I caught it, it would’ve been in my top 10 of the year for sure.
Own or Rent?
Everyone’s taste is subjective, but honestly, how can younotwant to own this film? It’s such a breath of fresh air, especially in these troubling times. I imagine I’ll want to revist this again, and again. Not every movie is inherently rewatchable – I get that. ButLittle Womendefinitely fits into that category, and with ease. Don’t hesitate: pick it up.
Special Features Include:
Just Mercy
Just Mercyis a movie made with the very best intentions. Based on a true story, the film follows fresh-faced lawyer Bryan Stevenson (Michael B. Jordan) as he attempts to get an innocent man, Walter “Johnny D.” McMillian (Jamie Foxx), off of death row. Everyone here is bringing their A-Game. Jordan is one of our best young actors, and he commands the screen. Foxx hasn’t been this good in a few years. And Brie Larson is a welcome presence as a local who works with Stevenson. But…for all of its good intentions, and important messaging,Just Mercyfeels oddly flat. It’s a kind of paint-by-numbers prestige pic – the kind that seems to be itching to be called “Oscar bait.” That’s not to say the film is bad – it’s not! It’s just not particularly great, either. It’s what I’d call a serviceable film.
This one is going to have to fall firmly in the “rental” category. I definitely thinkJust Mercyis worth seeing at once, but I’m not sure if it’s the type of movie you’re going to want to revisit again and again. But you should at least give it a chance.
Underwater
Underwateropened in January, which is usually abadsign for a movie – especially a horror movie. But the film was a pleasant surprise. Sure, it owes a huge debt to films likeAlienandThe Abyss. But it’s also a nifty, compact, well-made deep sea thriller. Rather than give us a bunch of set-up, the movie jumps right into the action with a huge disaster at an underwater research facility. The folks who work deep down under the sea – including the melancholy Norah, played byKristen Stewart– have to fight their way to the surface. But they soon find out they’re not just dealing with structural problems. There are alsoseamonstersout there. And that’s basically it! This is on pair with films likePitch Black– simple-but-effective genre pics that get the job done.
This is an own, folks. Seriously –Underwateris a blast. It’s big, sloppy, junk food cinema – a Hollywood B-movie that holds up on revisits, and is perfect to kick back with when you want something that’s not too psychologically taxing. More movies like this, please. Whenever movies start happening again, I mean.
Me and You and Everyone We Know
Miranda July’s weird, funnyMe and You and Everyone We Knowalmost defies classification. Is it a drama? A comedy? Is it even set in the real world? Equal parts surreal and earnest, the film follows several eccentric characters who are all intertwined one way or another. At the center is a morose shoe salesman, played byJohn Hawkes, going through a divorce. He catches the eye of Christine (Miranda July), an amateur artist who also moonlights as a cab driver for senior citizens. We also follow the shoe salesman’s kids, an art gallery owner, two teenage girls, and more. This is the very definition of a film that’s “not for everyone.” July makes art outside the norm – some might even say she makes the prototypical “quirky indie film” here. ButMe and You and Everyone We Knowis so unique, and so unflinching in its earnestness that it’s truly special.
This is a Criterion Collection release, so it’s an own all the way. As always, you get the wealth of unbeatable Criterion special features, plus a great looking transfer of the film as well. It’s a no brainer, really. Unless you don’t like this movie. In which case, uh…let’s move on!
I don’t mean this in a negative way, but directorJoe Begosis not what you’d call anoriginalfilmmaker. Almost all of his movies are pastiches – films that owe ahugedebt to other famous horror works. HisThe Mind’s Eyeis basically a remake ofScanners. His recent vampire flickBlissis heavily indebted to the work of Abel Ferrara. And now here’sVFW, which is more or less a riff on John Carpenter’sAssault on Precinct 13. Again – I’m not knocking Begos. He does a very good job apeing other people’s style. I just wish he had a bit of a voice of his own. That said,VFWis definitely the best film he’s made so far. It’s a nasty, gnarly splatter flick about grizzled army vets fighting mutant punks – and sometimes, that’s all you need. The vets are stuck in a local VFW as the punks come calling, andVFWfalls into a groove: punks break-in, vets bash their fucking faces in with bats or axes, punks retreat. Repeat. You’re not going to find anything groundbreaking here, but the grainy style mixed with the practical gore is probably going to be enough for some genre fans.
I’m going to vote “rent” here, but if you’re a big fan of throwback horror, you might want to go all-in and buy this thing. You could easily throw this on in the background, and perk up every time a gory kill happens – which is often.
