New Blu-Ray Releases: ‘Blade Runner 2049,’ A Joe Dante Gem, And A John Ford Classic
(Welcome toNot Dead Yet, a feature dedicated to what’s new on Blu-ray and what special features you should be excited about. Because yes, some of us still like to own physical copies of our movies.)
Ready for the latest Blu-ray round-up? I sure hope so, because it’s here, right in front of your eyes. This week, one of the best and most over-looked films of 2017 comes to Blu-ray. And that’s not the only overlooked film hitting shelves! An unjustly ignored 1993 comedy from the director ofGremlinsreceives a special collector’s edition from Shout! Factory! In addition to that, there’s a star-studded Agatha Christie adaptation (no, not that one), and a John Ford classic from the Criterion Collection. Here are the new Blu-ray releases you should check out this week.
Blade Runner 2049
Blade Runner 2049, the best 2017 movie no one bothered to go see, finally comes home to Blu-ray. Does a film so reliant on such eye-popping, large-scale visuals work on the small screen? Absolutely. Everything that makesDenis Villeneuve’s intense, lengthy tone-poem special still comes shining through, no matter what size screen you’re watching it on.Yes,Blade Runner 2049is a sequel toRidley Scott’sBlade Runner, but it’s also a film that can truly stand on its own. It’s a remarkable, hypnotic, engrossing journey through a dark, uncertain future. On top of all that, it’s one of the best-looking movies in recent memory, thanks both to Villeneuve’s direction and Roger Deakins' jaw-dropping cinematography.Ryan Goslingdidn’t receive nearly as much credit as he should have for his complicated performance as the film’s lead, a conflicted Blade Runner who falls down a rabbit hole into a confounding mystery.Harrison Fordhas never been better, playing his character Rick Deckard as a bruised, emotionally distant loner who begrudgingly gets wrapped up in the whole mess.As I said in myspoiler reviewfor the film when it hit theaters, “Blade Runner 2049is one of the very best films of 2017, and one of the most staggering big studio releases you’re likely to come across. How on earth did Denis Villeneuve convince Warner Brothers to let him make a gigantic, foreboding tone poem and dress it up as a Blade Runner sequel? We may never know, and if the film continues to underperform, we may never get so lucky again.”
Special Features to Note:“Designing The World of Blade Runner 2049” provides a cool behind-the-scenes look at the creation of the stunning visuals of the film, from the miniatures used to create cityscapes to the on-location filming in Budapest.Villeneuve says that he approached the film as an “extension of the firstBlade Runner, rather than an extension of the real world,” which gave the film more freedom to create mind-blowing visuals. Ridley Scott pops-up and offers the most hilarious line in the doc: “Why’s it always raining, why’s it always dark?” Scott says everyone asked him when the first film came out. His answer: “Because I fucking want it to be.“Beyond this, the feature goes into how Villeneuve told Deakins he had free range to do literally whatever he wanted, and how Deakins came on board the film very early to help plan the look of everything. It’s also revealed that a lot of the sets were done practically – Villeneuve wanted to use as little green screen as possible and use real vehicles as much as possible. The filmmaker says he hates using green screen in general, and prefers tangible things.“To Be Human: Casting Blade Runner 2049” is what I’d call a “puff piece.” It’s a very nice, but mostly inessential look at the cast of the movie. Don’t get me wrong: the cast here is great, and almost everyone (saveJared Leto, who is just too goofy for his own good here) does strong work.The problem with this feature is that it amounts to little more than the cast sitting around praising each other and commenting on how everyone is the best. The only really interesting tidbit here is the reveal that both writer Hampton Fancher and star Harrison Ford both claim to have independently came up with the idea of casting Ryan Gosling in the lead. Fancher says he had the idea while writing the film, and Ford said that he suggested Gosling to the filmmakers later and was told they already had him in mind. There you have it: everyone loves Gosling!Other than these features, there are also several “prologues” that we shot and released online before the film hit theaters. I’ll just admit it: I don’t like any of these, and think the film itself is stronger without them. There’s also a feature called “Blade Runner 101” that serves as a crash-course in the mythology of the film.Special Features Include:
“Blade Runner 2049” 4K Ultra HD Blu-ray Combo Pack, 3D Blu-ray and Blu-ray Combo Pack contains the following special features:
In 1993,GremlinsdirectorJoe Dantereleased this touching, earnest, funny look at young love, monster movies and nuclear paranoia. Virtually no one saw it. Thankfully, Dante’sMatineehas developed something of a cult following since it landed at the box office with a thud, and the folks at Shout! Factory have put together this essential new Blu-ray for both old fans and new audiences alike.It’s 1962, and the Cuban Missile Crisis is looming large. There’s a real fear in the air that at any moment, nuclear devastation will rain down on the residents of Key West, Florida. What’s a person to do but take in a monster movie? As luck, or fate, would have it, B-movie maven Lawrence Woolsey (John Goodman, an utter delight here) has just shown up in town with his latest low-budget horror flick:Mant!With this set-up, Dante spins a narrative involving lonely young Gene Loomis (Simone Fenton), who loves movies and wants nothing more than to take in a screening ofMant!He also finds himself drawn to a rebellious girl (Lisa Jakub) who isn’t afraid to point out that the school’s duck-and-cover during air raid drills are nothing but a whole bunch of bullshit.WhenMatineewas released in the ’90s, its tale of nuclear woes seemed almost quaint. Now, here in 2018, where we’re onlydaysremoved from an accidental fake missile alert that convinced almost everyone in Hawaii they were about to die,Matineetakes on a whole new ghoulish life. As a result, it invigorates and already invigorating film.Gremlinsmay be Joe Dante’s most well-known movie, butMatineeis his best.
Special Features to Note:Shout! Factory has put together a pretty comprehensive disc here, with features out the wazoo. The best features of the bunch are the interviews with Joe Dante. There are two: a new one, called “Master of the Matinee,” and then an older feature called “Paranoia in Ant Vision.” Dante provides much of the same information in both features, but there’s also enough new revelations to make both essential. “If you’re a good filmmaker, all your movies are personal,” he says, and proceeds to give an in-depth background on the production of the film, as well as providing amusing bits of trivia. For instance: Dante reveals they filmedMatineeat Universal Studios, and during lunch almost everyone involved with the production would go ride theBack to the Futureride.Dante also talks about a very early version of the script, which soundsnothinglike the finished film, but might have been interesting nonetheless. In this early version, childhood friends reunite in their hometown and visit the movie theater they spent their youth in. But this isn’t any normal movie theater: the projectionst is a vampire, and all sort of other supernatural creatures moonlight at the place. Again, this is absolutelynothinglike the final film, so it’s almost wild to think that this script gave birth to whatMatineeis today.There are several other big interviews, although sadly none are with star John Goodman. Goodman gives one of the best performances of his career here, so it would’ve been nice to have him on hand. Perhaps he was busy filming theRoseannerevival at the time.The other big draw here is the “full length version” ofMant!, the movie within the movie. The name is a bit of a misnomer: don’t expect a 2-hour version ofMant!here. Rather, the film runs about 20 minutes, and is fairly amusing to watch even removed from the events ofMant!A lot of work went into the film to make it both look and feel genuine.Special Features Include:
Crooked House
Murder on the Orient Expresswasn’t the only star-studded Agatha Christie adaptation from 2017.Gilles Paquet-Brenner’sCrooked House, which aired in the UK on Channel 5, assembles killer cast that includesGillian Anderson,Glenn Close,Julian Sands,Christina Hendricks,Amanda Abbington,Terence Stampand more.The set-up is quintessential Christie: someone prominent has been murdered, and there’s an entire house full of suspects. Slightly out-of-his-depth detective Charles Hayward (Max Irons) is recruited to investigate by his old flame Sophie (Stefanie Martini). As a result, Hayward gets caught up in the lives of the decidedly cooky Leonides family, all of whom seem capable of murder in one way or another.Crooked Houseis a hell of a lot of fun. Even if you figure out who the killer is early (which I did), it doesn’t take away from the fun of watching the story unfold. What makes it all work is that cast, all of whom are chewing the scenery with glee. Gillian Anderson in particular, playing a drunken actress, is clearly having the time of her life, a vamp wig nestled perfectly on her head.Crooked Housemay not have the slick Hollywood production feel of the recent big screenOrient Express, but it’s definitely worth a visit.
Special Features to Note:The features here are a bit slim, sadly. We get three featurettes that look at the production. “Whodunnit? – The Characters of Crooked House” walks us through the ensemble cast, and might actually be worth watchingbeforeyou see the movie, as it acquaints you with everyone nicely.“Elegance & Innovation: The Design of Crooked House” offers a look at the set design of the film, which is rather ornate and wonderfully constructed. This isn’t very in-depth though, sadly.“Agatha Christie: A Timeless Fascination” has the cast and crew talking about Christie’s work, and how timeless her stories are. It’s a breezy little feature, but anyone hoping for more info on Christie as a writer would probably be better served reading a biography instead.Special Features Include:Three Featurettes:
Young Mr. Lincoln
John Ford’s fictional portrayal of Abraham Lincoln as a young man gets the Criterion Collection treatment.Young Mr. Lincolnisn’t as polished, or as sweeping, as some other Ford films, but what it lacks in that department it more than makes up for with its lead performanceHenry Fonda, wearing a fake nose that actually goes a long way to making him look like the young Abe Lincoln, is utterly wonderful here, playing Lincoln as a laid-back, slow-moving, easy-going guy who could also knock all your teeth out of your head with one punch…if he wanted to.InYoung Mr. Lincoln, Abe sets up shop as a small town lawyer, and soon finds himself defending two brothers accused of murder. The end result is a film that’s as much courtroom drama as it is biopic. While the events inYoung Mr. Lincolnmay be fictionalized, they somehow ring true, and that’s almost entirely due to Fonda’s performance. The actor shuffles through the film, playing Lincoln as a gangly man never quite comfortable in his own frame, and the result is spellbinding. A scene where Fonda, as Lincoln, casually talks a lynch mob out of their deed is remarkable, primarily for the way Fonda takes control of the moment while making everyone else think they’re still in charge.
Special Features to Note:I’m sad to say that while this is an essential must-own for film fans, the Criterion release is a bit lacking in terms of material related to the film itself. There’s a commentary from John Ford biographer Joseph McBride, and some archival interviews, but beyond that, the biggest feature here is a documentary not onYoung Mr. Lincoln, but on John Ford himself.“Omnibus: John Ford, part one” takes viewers through Ford’s early career, and while there’s nothing wrong with this as a feature, I still would’ve liked a bit Mr. Lincolnspecifically. While this documentary is slightly dated (it was made in 1992), this feature is still comprehensive and a must-watch for Ford enthusiasts, or even those only marginally familiar with Ford who want to know more.Special Features Include:
